Unlike traditional reselling models that require upfront costs or exclusive access, Ticket Boss has opened the door for a wider, more diverse group of entrepreneurs. Resellers are given the opportunity to sell discounted ticket blocks to popular events — including live shows, private performances, pay-per-view broadcasts, and exclusive experiences — all while keeping the profit margins for themselves.

The platform’s growth has been fueled by its accessibility and simplicity. With no upfront inventory to purchase, resellers can start immediately. Events are added directly into their personalized portal, and bi-weekly training sessions ensure that every seller has the tools to succeed — whether they’re seasoned promoters or just getting started.

Ticket Boss also goes beyond transactions. Its built-in gamification system allows resellers to “level up” by hitting sales milestones, with prizes, perks, and even recognition tied to performance. It's a business opportunity — but it also feels like a community.

As event demand continues to rise and digital ticketing becomes the norm, Ticket Boss has found its sweet spot: empowering independent sellers, supporting creators and event producers, and offering buyers an easy, reliable way to access in-demand experiences at great prices.

In short, Ticket Boss is more than a reselling platform — it’s a sign of where the future of ticketing is headed.

And that future? It looks like it’s in very good hands.

“Sinners”: Ryan Coogler’s Bold Southern Gothic Vamp Tale Drenched in Blues, Blood, and Legacy

SINNERS A NEW FILM FROM RYAN COOGLER

A vampire film set in 1930s Mississippi might sound like an unexpected pivot for Ryan Coogler — the visionary behind Fruitvale Station, Creed, and the Black Panther blockbusters. But Sinners, his latest feature, is deeply personal and thematically consistent: a gripping exploration of race, identity, and cultural inheritance.

At the heart of Sinners lies a tribute. “It’s for my Uncle James,” Coogler told NBC News. “He was the oldest male in my family from Mississippi. He passed away right after I wrapped Creed. All he ever did was spin blues records.”

Blues — gritty, raw, and haunted — pulses through the film like lifeblood. Michael B. Jordan takes on a dual role as Smoke and Stack, twin brothers who flee the Mississippi Delta for the battlefields of World War I and return flush with cash, rumored ties to Al Capone, and dreams of opening a juke joint. The centerpiece? Their cousin Sammie, a guitar prodigy played by singer Miles Caton in his acting debut, who plays what his preacher father condemns as “the devil’s music.”

But in this racially segregated South, not all guests are welcome. And certainly not white vampires.

The cast includes Delroy Lindo as the bluesman Slim, Wunmi Mosaku as Annie the root woman, and Hailee Steinfeld as Mary, whose racial identity sparks intrigue and danger in equal measure. Together, they prepare for an opening night that will change everything — if they survive it.

“I wanted to understand why my uncle loved the blues so much,” Coogler said. His research led him to a powerful realization: “This art form might be America’s greatest gift to global culture.”

The film’s score comes courtesy of Ludwig Göransson, Coogler’s longtime collaborator and USC Film School classmate. Göransson’s own blues journey began with his father — a devoted fan of Mississippi legends like Albert King. A pilgrimage to the Delta with Coogler and Göransson’s father cemented the project’s emotional core.

“We stood on Dockery Plantation,” Coogler recalled. “This 70-year-old Swedish man had tears in his eyes. I had tears in mine — for different reasons. But it was the same music. The same soul.”

That trip lit the fire for Coogler to make Sinners grand and unapologetically cinematic — a tribute not only to his uncle but to the culture, creativity, and resilience of the Black South. “My people were sharecroppers,” he said. “They worked hard. They endured. They gave me the foundation to tell stories for a living. This is me honoring them.”

At its core, Sinners is more than a horror flick. It’s a parable. A warning. Coogler uses the vampire myth to reflect on the seductive pull of quick gains — and the cultural cost they often carry.

“If you’re not careful,” he says, “the shortcut you take might just cost your legacy everything.”